Despite the almost complete bore fest, there were a few tidbits hidden within the pages of this book that had to deal with watercolors, which is one of my interests. (Read this article on Medium.) Through Paper: Paging Through History, I learned that watercolors were used for a long time in other countries (Japan, China) and finally "adopted" by British artist Turner, who made watercolor a more widely accepted art form. (Professional grade watercolor paper is usually made made of cotton, not wood, because it absorbs the water and leaves the pigment behind.)
I also learned about xuan paper, which is made from the bark of blue sandalwood in China, and it takes two years to prepare the raw materials to make the paper. Part of the process is laying the materials out on a hillside for months at a time and turning them periodically. (Professional watercolorists use double xuan, which is more absorbent than the single ply version.) Of course, I immediately had to find a xuan paper maker that would ship to Delaware. For $55 a sheet, I could have my very own xuan paper. Ummmm....
One more fairly interesting thing was that paper was initially made from rags, like the kind you might have sitting in your basement waiting to be used for dirty work - ripped up tee shirts and the like. There were people who went around collecting rags for paper mills, which cooked down materials until they were basically sludge and then put them into trays to dry to make paper. The idea of using wood fibers to make paper wasn't introduced to the western world until the late 1800s. In the U.S., the first operating paper mill was in my hometown of Philadelphia, near where I grew up. And they routinely ran out of rags and had to reach out to housewives to get them to save their rags to make paper.
Not every learning experience is a pleasant one, I suppose. Kurlansky's book was like that for me.
